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| Kindred Spirits — Music from artists Steve has collaborated with or produced. |
 | Aperus 2018 Geophonic Records (CD) Reviewed by Expose On LIE SYMMETRY, Aperus creates an ambient work of highly saturated color and sound, blending resonant analog synths, warm textures and a compelling selection of field recordings. Here, he works as sonic sculptor, exploring the edges, carving the sound with a hands-on approach. The result is an organic nuanced expression of a synesthetic vision, unified with a presention of his artwork. Defying easy categorization, the album combines elements of ambient, electronic, environmental and drone music to create a wide array of emotional tones. With all of its layers and contours, LIE SYMMETRY is sure to reward repeated listens and appeal to fans of various ambient styles and deep drone spaces.
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Avant Garden (with Steve Roach) 2001 Blackfish Recordings BKFS-01 (CD)
Steve Roach didgeridoos, percussion, loops, atmospheres |
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Brain Laughter (with Steve Roach) 1995 Spotted Peccary Music SPM-D0102 (CD)
5, 6, 11. with Steve Roach |
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Thom Brennan 1997 Amplexus AY03 (CD) Produced by Steve Roach
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Thom Brennan (with Steve Roach) 1993 Rubicon RGBC 2312 (Cassette, CD) Produced by Steve Roach
3. with Steve Roach |
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Kelly David 2006 Rocky Mountain Records RMR 0002 (CD) Produced by Steve Roach After his strong debut release BROKEN VOYAGE, electronic artist Kelly David presents a big stride forward in his sound design, composition and flow. Going further into the themes of exotic distant places, here he draws on the specter found in the forbidding Southeast Asian jungles and to a distant past when the mighty Khmer civilization ruled from an immense temple city called Angkor. In a similar way that David Parsons taps into an East Indian atmosphere and spiritual dimension of that region, Kelly uses harmonically rich textures and surreal sounds, along with ethnic-inspired rhythmic passages, to express a risky travelogue of mystery, impending vastness and danger of an area that is still being understood and explored on many levels today. Sonically, the CD was created primarily on analog instruments resulting in a warm and rich sound. Mastered by Steve Roach, and highly recommended.
Mastered by Steve Roach. |
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Kelly David (with Steve Roach) 2002 Rocky Mountain Records (CD) Produced by Steve Roach Reviewed by Eclectic Earwig Reviews, KLEM, Sonic Curiosity Colorado-based electronic artist Kelly David's debut CD sets course on an ambient-electro-tribal adventure. Drawing imagery from uncharted waters and travels between desolate islands in the South Pacific, the CD takes the shape of a soundtrack journey. Kelly's fascination with pure sound design combined with natural sound sources, mid tempo grooves along with deep textures lead straight to the heart of musical darkness... and light in an inviting sort of way. A strong debut by an artist who has been working quietly towards this release for several years. Mixed at the Timeroom by Steve Roach.
3, 4. Steve Roach mixing, guest performance |
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Djam Karet (with Steve Roach) 2003 Cuneiform RUNE169 (CD)
8. with Steve Roach |
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Djam Karet (with Steve Roach) 1994 Cuneiform RUNE64 (CD)
4, 10, 12. with Steve Roach |
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Paul Ellis (with Steve Roach) 2005 Groove Unlimited (CD) – import Electronic artist Paul Ellis reaches deeper into his talent for rich, melodic based electronic music for the mind and comes up with a fully matured release of striking pieces. Elegant and sophisticated throughout, the CD covers a wider range of terrain than his previous release. He brings in a few acoustic elements as well, and knows how to blend these with the right touch. Add to this some fine guest performances, including Steve Roach on four tracks. Foundations for two of these tracks were created from live Timeroom improvs with Paul, Steve, Will Merkel and Jeffrey Koepper.
1. with Steve Roach, Jeffrey Koepper; 3. with Steve Roach, Will Merkle; 4. with Otso Pakarinen; 5. with Laurie Guild; 7. with Steve Roach; 8. with Brenda Erikson, Alison O'Connor; 9. with Steve Roach |
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Paul Ellis 2004 Groove Unlimited GR-098 (CD) – Netherlands import Produced by Steve Roach On THE SACRED ORDINARY, Paul's artistry in creating a palette of rich emotional sounds sets a foundation from which he weaves a series of electronic web-like pieces with a keen sense of melodic invention and dimensional symmetry. There is a hint of nostalgia in these tracks as well, if one has been privy to the classic melodic sequencer-style electronic music periods over the past few decades. This brings another kind of depth to the experience, while at the same time this music is really about the here and now as it unfolds with a kind a graceful patience and awareness to detail that keeps pulling you in deeper with each play.
1, 2, 3, 7 with Rudy Adrian; Steve Roach post-production and final mix enhancements |
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Forrest Fang 2017 Projekt PRO337 (CD) Synthesist / multi-instrumentalist Forrest Fang's mesmerizing and emotive electronic-ambience glides upon hypnotizing impressionistic floating formations. Space-music, world music and deep atmospheric zones combine and organically dissipate into a flow of drifting vapor trails. With a rich range of unconventional acoustic instruments, the 73-minute album is a fascinatingly filigreed multi-layered work.
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Forrest Fang 2016 Projekt PRO322 (CD) THE SLEEPWALKER'S OCEAN, Forrest Fang's first 2-CD studio album, is a hypnotic deep-ambient exploration of the fantastical and elusive realm of the subconscious. Following quickly upon his 2015 LETTERS TO THE FARTHEST STAR, Fang gave free reign to his intuitive and instinctual side on this release, allowing the sonic landscape to drift into his interior world of elusive and impressionistic thoughts and images.
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Forrest Fang 2015 Projekt PRO312 (CD) LETTERS TO THE FARTHEST STAR is an ambitious and deeply personal dispatch: a far-reaching sojourn into the diverse ambient/electronic influences that helped shape the last three decades of Fang's unique "Fourth World" style. Fang began his tenth album with a challenge to himself: create a single work that acknowledged both past and present explorations while hinting at new avenues to come.
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Forrest Fang 2013 Projekt PRO290 (CD) Projekt opens the archives to bring back two formative ambient works. Originally released in 1989 and 1986 respectively, THE WOLF AT THE RUINS and MIGRATION have been out of print for over 20 years. They're from the period when he began his own fusion of electronics and traditional non-Western instruments into a modernist blend of electronics, ambient and world music. Re-released with two bonus tracks per album, and remastered by Robert Rich, this limited edition 2-CD reissue of 300 copies is the definitive way to experience Fang's early visionary blend of space music, hypnotic minimalism and earthy polyrhythms with a Far Eastern bent.
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Forrest Fang 2012 Projekt PRO274 (CD) – Eco-Wallet Reviewed by Relaxed Machinery Multi-instrumentalist / electronic composer Forrest Fang has been creating his powerful blend of world instrument East-West-influenced sound art for over three decades. The pieces have the elegance and grace of "serious" composed music but the overarching feeling is pure, all-organic, and very human at the core. On his latest, ANIMISM, a long list of acoustic instruments and some synths are brought into play. The thick harmonic stew is created from a deep and heady slow boil of acoustic and electronic sources, treated with extreme audio processing, finding a shared cellular bond after what feels like a long marinade in deep reverberating spaces. Highly recommended!
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Forrest Fang 2011 Projekt PRO257 (CD) Forrest Fang had been creating outstanding minimal, ethno-ambient recordings since the 80's. This new release could easily be filed in the Immersion category. Five pieces hover and slowly shift in a cloud-like movement. The pure texture is created from a strata of sinuous harmonic layers. The ambiguous source of the of sound is rich, organic and at times other-worldly.
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Forrest Fang 2009 Projekt PRO230 (CD) PHANTOMS is Forrest Fang's 9th solo album and the follow-up to his Projekt release, GONGLAND. Nearly eight years in the making, PHANTOMS builds on the gamelan-influenced soundscapes of its predecessor by weaving organic sounds of non-Western stringed and percussion instruments and filtering those sounds through a rich melodic tapestry of warm and vaporous atmospheres. Fang's subtly layered and continually evolving textures combine his Asian influences with his love of fractal algorithms that reflect the chaotic beauty of nature. The ambiences of PHANTOMS evoke a state of contemplation within a world in flux. The centerpiece of the album is a 23-minute ambient suite -- "The Hallucinations of Hung Tung" -- inspired by the otherworldly paintings of a Taiwanese fisherman and outsider artist.
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Forrest Fang 2000 Projekt (CD) Veteran new music artist Forrest Fang returns to the ambient explorations shown on earlier albums like THE WOLF AT THE RUINS. On GONGLAND, Fang, to quote his liner notes, explores his "recent and continuing fascination with Indonesian gamelan music, fractals, alternate tunings, and esoteric algorithms." |
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Forrest Fang (with Steve Roach) 1994 Cuneiform RUNE68 (CD)
8. with Steve Roach, Robert Rich |
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Fayman & Fripp (Jeffrey Fayman, Robert Fripp) 2000 Projekt (CD) The Soundscapes of Jeffrey Fayman & Robert Fripp. This is the first collaboration between Fayman & Fripp, drawn from looped Frippertronics and dense Symphonic electronics. The result is in the vein of the classic Fripp & Eno NO PUSSYFOOTING collaboration. Released in conjunction with Jeffrey Fayman's Tranceportation imprint.
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The Heavenly Music Corporation (with Steve Roach) 1993 Silent Records SR9335 (CD)
7. with Steve Roach |
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Walter Holland (with Steve Roach) 1987 Coriolis CR-0105 (CD) Produced by Steve Roach
1, 6, 9, 10. with Steve Roach; produced by Steve Roach and Walter Holland |
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David Hudson (with Steve Roach) 1998 Celestial Harmonies 15033 (CD) Reviewed by Hans Stoeve, Exposé This is actually a full collaboration between Steve and David. Another visit to the Timeroom provided the didgeridoo solos that Steve then worked on his own over a few months. "Dreamtime Soundworlds" were created in ways that support the didgeridoo in an expansive and surreal setting.
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David Hudson (with Steve Roach) 1997 Celestial Harmonies 13071 (CD) Produced by Steve Roach A great collection of David's didg playing, produced by Steve from the three solo CDs listed.
1, 7, 13. with Steve Roach; 9. from Michael Askill's FREE RADICALS |
 | David Hudson (with Steve Roach) 1994 Celestial Harmonies 13096 (CD) Produced by Steve Roach Reviewed by Linda Kohanov The second David Hudson album adds percussion and atmospheres from Steve to the mix.
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David Hudson 1993 Celestial Harmonies 13071 (CD) Produced by Steve Roach Hudson's first solo CD, and perhaps the first-ever recording to present the didgeridoo as a solo instrument on CD at the time of its release. Recorded at the Timeroom with Steve treating the didg through the Lexicon Digital Reverb. All pieces were recorded live.
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Inlakesh (with Steve Roach) 1999 Inlakesh INL004 (CD)
5. with Steve Roach |
 | Biff Johnson 1999 Broad Vista Music BVM002 (CD) Produced by Steve Roach Biff took a journey into the southwest to finish his 1999 CD, MIRAGE AT THE CROSSROADS. Co-produced by Steve, it contains 9 cuts with 72 minutes of music including the 15 minute epic piece "A Road From Somewhere." Somewhat more aggressive and intense than READING THE BONES, it has the groove factor taking a more active role on some tracks. And, of course, Biff's signature harmonic textures are in full bloom.
Steve Roach mixing on 4, 6, 8, 9 |
 | Biff Johnson 1997 Broad Vista Music BVM001 (CD) Produced by Steve Roach Features interesting soundworlds in the ambient/electronic genre. Co-produced by Steve, the music follows in the footsteps of Roach, Rich, Obmana, Schutze, Parsons, O’Hearn and Eno. The use of folk-flutes and percussion gives an organic quality to the dark, mysterious sounds of the electronic palette.
Steve Roach additional recording and mixing |
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Stephen Kent 2007 Family Tree (CD) Outstanding didgeridoo player Stephen Kent has been pioneering the use of didgeridoo in today's music for years. His work with Lights in A Fat City and Trancesmission forged the role of the didgeridoo as a poweful center piece in a group setting. This was further explored on the tribal-trance adventure HALCYON DAYS release with Steve Roach and Kenneth Newby.
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Khenany (with Steve Roach) 1993 Celestial Harmonies 13078 (CD)
2. with Steve Roach |
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Jeffrey Koepper 2017 Projekt PRO348 (CD) Keeping analog sequencer music alive in the 21st century... Poly-rhythmic sequential melodies of warm, engaging electronics propel Transmitter, an album created live-in-the-studio on vintage synthesizers and sequencers. Organic performances of six new tracks (and one from MantraSequent) glide through evolving epics with a classic 70's feel. Thick synthesizer textures and pulsating rhythms generate and modulate the pieces captured June 18th 2017 at WXPN's Star's End Radio, Philadelphia. Host Chuck Van Zyl writes:
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Jeffrey Koepper 2017 Projekt PRO341 (CD) Produced by Steve Roach Creating the music of tomorrow with the analog technology of yesterday... Poly-rhythmic sequential melodies of warm, emotional electronics propel MANTRASEQUENT, an album created on vintage synthesizers and sequencers. Koepper's reputation as a skilled composer in the Berlin school shines on his 10th release influenced by early EM artists Tangerine Dream, Jean-Michel Jarre, Klaus Schulze and Steve Roach.
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Jeffrey Koepper 2016 Air Space Records (CD) TERRELEKTRA is the followup to last year's KONNEKTIONS. Koepper continues the electronic flow, utilizing exclusively vintage synthesizers and sequencers to create a beautifully evocative planet of sound. Deep atmospheres blend effortlessly with sequential rhythms to propel the listener to emotional memory, space and beyond.
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Jeffrey Koepper 2015 Air Space Records 007 (CD) Produced by Steve Roach KONNEKTIONS is the outstanding and long-awaited album from Jeffrey Koepper. On this new release, Koepper maintains his connection to the pure emotional impact of pure analog sound. All the music is composed entirely with vintage analog synths, drum machines and analog sequencers. The music explores deep emotional moods and atmospheres through a combination of ambient textures, sequencer-based structures and evocative soundscapes combined to create a compelling journey of discovery and stimulation the imagination. The music is emerges with an organic flowing feel, blooming into moods that reveal somber peacefulness as well as epic hopefulness. The final assembly, enhancements and mastering occurred with Steve at the Timehouse this summer. A release not to be missed.
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Jeffrey Koepper 2011 Air Space Records (CD) Arctisonia is the seventh album in the superb discography of Jeffrey Koepper. Based on an arctic theme, this CD offers the listener seven tracks of frozen atmospheres, cold textures and icy forms, all realized with classic analogue synth sounds. Including gear by Moog, ARP, Sequential Circuits, Oberheim, Roland, Yamaha and many others from a bygone era, the equipment list reads like a keyboard catalog from the 70's and 80's. While Jean-Michel Jarre and Michael Garrison seem to hover over his music, Koepper communes with his machines in a fight against the notion that this genre belongs to history rather than the present. He knows well the territory of plugs, cables and jacks and crafts a pleasing palate of unique electronic tones. Upon this foundation a great deal of sonic architecture may be constructed.
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Jeffrey Koepper 2009 Air Space Records (CD) QUADRANTEON is Jeffrey Koepper's latest solo release. Like his previous albums, it is composed entirely with vintage analog synths, drum machines and analog sequencers. With this album Koepper explores deep emotional ambient worlds. Divided into four movements / parts, it is an emotional electronic journey through four moods. Koepper uses a combination of ambient textures, sequencer rhythms and deep atmospheres to create these lush electronic structures. QUADRANTEON has a very organic flowing feel between its parts, and touches on deep ambience as well as intense sequential rhythms.
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 | Jeffrey Koepper 2009 Ricochet Dream (CD) Koepper's first live CD release was recorded at a Gatherings concert in Philadelphia on April 19, 2008. The CD presents a spirited set built on the warm analog instruments which create the foundation of his sound. The concert was also the debut of the album Sequentaria. Radiate contains live versions of tracks from Sequentaria, Momentium and Luminosity.
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Jeffrey Koepper 2009 Air Space Records (CD) Reviewed by Electroambient Space This fourth solo release from electronic artist Jeffrey Koepper presents a more contempletive aspect of his warm analog synth-based sound creations. Delicate unfolding slow to mid-tempo melodic patterns create a meditative symmetry, while graceful harmonic textures intermix with the flow. The total effect is one of peaceful reflection.
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Jeffrey Koepper 2008 Air Space Records (CD) Produced by Steve Roach Reviewed by Electroambient Space SEQUENTARIA is Jeffrey Koepper's new solo release, and like his previous ETHEREA and MOMENTIUM, SEQUENTARIA relies completely on classic analog synths, drum machines and analog sequencers to construct an organic melodic-rythmic-sequential interweave. The overall feeling is playful and inspired, with a hint of nostalgia as the warmth of vintage analogue sounds and sequences emerge in forms that evolve from the interactive hands-on approach these instruments offer. Fans of classic Jean-Michel Jarre and Tangerine Dream will be especially interested in this release. Mastered by Steve Roach.
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Jeffrey Koepper (with Steve Roach) 2006 Air Space Records 002 (CD) Produced by Steve Roach MOMENTIUM is Koepper's new solo release after his debut CD ETHEREA. On this one he amps-up the energy with a flow of pieces created around the sequencer as a tool to give the music momentum. Koepper is a long-time proponent of analog and hardware synths, thus allowing his hands-on approach to become essential in shaping the flow as it occurs. The first track alone is worth the price of admission, calling up the ghosts of Tangerine Dream in their glory days. Warm tones and hypnotic patterns intermix into a fine result throughout the entire set. Steve Roach was integral in the final arrangement, mastering and finishing treatments of MOMENTIUM.
2, 6, 7 with Steve Roach |
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Jeffrey Koepper (with Steve Roach) 2003 Air Space Records 001 (CD) Produced by Steve Roach Jeffrey Koepper has been creating electronic music since 1985. He has released material in the past with the groups Pure Gamma and Immortal. ETHEREA, produced with ambient legend Steve Roach, is his first full-length solo release. His influences by early electronic musicians Tangerine Dream, Jean-Michel Jarre, Klaus Schulze and Steve Roach will be heard in this release of warm pulsing meditations and serene soundscapes. These influences were the spark that ignited his creative spirit. True to his roots, Koepper uses a variety of analogue synthesizers and sequencers to create his evolving sound-world sculptures. His desire is to continue in the fine tradition of classic electronic music while bringing forth his unique approach of creating warm, emotionally-crafted music.
mastered by Steve Roach |
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Lycia 2002 Projekt PRO134 (CD) Produced by Steve Roach
premastering treatments by Steve Roach |
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Byron Metcalf, Mark Seelig 2014 Projekt PRO303 (CD) Byron Metcalf and Mark Seelig join forces again to focus and intensify the transformative power of their musical collaboration.
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Byron Metcalf, Rob Thomas 2013 Dr. BAM's Music (CD) Award-winning shamanic-trance drummer Byron Metcalf and master didgeridoo artist Rob Thomas of Inlakesh combine their musical and personal medicines to create an extremely potent sonic brew. MEDICINE WORK is a psychoactive offering -- synergistically forged in the timeless hearth of shamanic intent and ceremony and is designed to guide and support intrepid travelers into deeper territories of their inner worlds -- far beyond the known and familiar.
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Steve Roach, Byron Metcalf, Dashmesh Khalsa 2010 Dr. BAM's Music DBM006 (CD) Reviewed by New Age Retailer The essential ingredients of ancient and contemporary shamanic trance states are fully activated in this highly potent new release. Byron carved out a collection of incredible trance grooves for nearly a year, eventually bringing in the prana-infused didgeridoo of Dashmesh Khalsa on every track. Steve joined on in early January 2010 and poured his heart and soul-drenched soundworlds into the six pieces, covering a full range of ecstatic dreamtime flow: rhythm, breath and expansion. The end result is a full-blown dreamtime alchemy of all the elements. The living, breathing percussion, didgeridoo and soundworlds are unified in a single purpose: to open to the door out of the ordinary world, initiating the listener into an empowered journey of infinite possibilities for spiritual rebirth, illumination, and transcendence.
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Byron Metcalf (with Steve Roach) 2010 Projekt PRO268 (CD) THE SHAMAN'S HEART II is an entrancing 70-minute shamanic journey of uninterrupted, evolving tribal-trance drumming and percussion that continuously builds in rhythmic complexity and dynamic intensity. Byron is joined by Steve Roach who provides the harmonic and textural psychotropic stew created from a rich, organic and analog blend. The alchemy with the percussion results in an ecstasy that helps hold the space for the listener to journey far and deep into powerful and sustained shamanic states of consciousness. The journey culminates in a bursting forth through the full spectrum portal of pure existence -- returning safely home to the heart-centered presence and potential of the true self.
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Byron Metcalf 2007 Dr. BAM's Music (CD) In this latest solo project, Byron expands his sonic explorations of the shamanic path of soul-based and heart-centered living that is the foundation of his work. This work is centered around organic trance rhythms and interlocking hybrid grooves which drive the experience forward and deeper into the shamanic realms. A WARNING FROM THE ELDERS is the first project where Byron has used his overtone singing to create harmonic drones and soundscapes. With this potent emphasis on the raw, organic sounds of wood, skin, metal, clay, stone, and the human voice, Byron makes a big step forward in his production skills and the result is a delicious blend of fierce percussion, heart-opening textural voices and overtone singing; a powerful meditation of purpose, presence and compassion.
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Byron Metcalf (with Steve Roach) 2005 Dr. BAM's Music DBM003 (CD) – 2010 Digipak re-release Reviewed by Frank MacEowen, Hypnos Forum, Wind and Wire This is a powerful and unique rhythmic and soundworld trance experience based on the traditional structures of shamanic drumming used for altering states of awareness. The entire journey is built using a collection of buffalo drums, frame drums and rattles. Presented as a continuous, unfolding rhythmic state, starting with lone peyote rattles and evolving into mandala-like polyrhythmic bliss. Through it all is a shapeshifting undercurrent of essential soundworlds specifically provided to create support for the intrepid inner traveler. This is unlike any of the solo or collaborations from Byron and Steve.
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Byron Metcalf, Mark Seelig (with Steve Roach) 2003 Spotted Peccary Music SPM 1501 (CD) Reviewed by Electroambient Space, Wind and Wire This project was built around Byron's evolving style of acoustic and processed percussion pieces pulsing in the spirit of THE SERPENT'S LAIR with Steve Roach. The spiritually rich overtone voice and flute of Mark Seelig creates a unique stirring blend that is organinc at the core. Although Steve was consumed with the creation of MYSTIC CHORDS & SACRED SPACES, he joined in on the project later on, adding soundworlds and processing throughout. This release sets the stage for a second project in production now, a full collaboration between Byron, Mark and Steve that was mapped out during a recent week this summer at the Timeroom.
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Byron Metcalf (with Steve Roach) 2001 Dr. BAM's Music DBMCD 002 (CD) Byron Metcalf's new solo CD, featuring Steve Roach on several tracks, is available for a limited time. Cut from a similar fabric as disc one of THE SERPENT'S LAIR. This intense tribal percussion-heavy journey is not for the faint at heart, and while the word "shamanic music" gets used freely now, this is to be considered the real deal. It's a more stripped down sound from THE SERPENT'S LAIR, with various drums and percussion, didgeridoo and soundscapes combined for a powerful result.
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Lorenzo Montanà 2017 Projekt PRO339 (CD) Playing frequently at The Timehouse, this outstanding new transmission is Italian soundcomposer Lorenzo Montanà 's first American release. These electronic ambient mindscapes form nine phases of a trip of the psyche. Lorenzo focuses on the floating / experimental side of his work, as heard on his collaboration with Alio Die, Holographic Codex; it's a downtempo evolution on his fifteen previous albums, including work on the famed German Fax label where he published his first CD and the 5-CD Labyrinth collaboration series with Pete Namlook.
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69-minute extended re-release Loren Nerell 2016 Projekt PRO330 (CD) – limited edition of 300 An ambient hybrid of traditional Indonesian soundscapes and electronics. Originally released in 2000 on Italy's Amplexus label, Loren Nerell extends THE VENERABLE DARK CLOUD's original 22 minutes to over 69 minutes, culminating in a complete vision capturing a sound that Sequences described as "modern ambient drone music (that) melds with ancient tribal cultures to form something entirely new, sounding ages old".
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Loren Nerell, Mark Seelig 2014 Projekt PRO299 (CD) Loren and Mark's electro-acoustic debut merges the ambient soundworlds of Southeast Asia, North & South America with the spiritual influences of Bali and India. One part droney soundscape, one part tribal deliberation, and one part ethnological exploration,TREE OF LIFE expands into a transformative experience. Loren's deep understanding of Balinese music, coupled with his expertise in sound engineering, effortlessly complements Mark's Bansuri flutes and harmonic overtone vocals and chants. Supported by Sarangi maestro Pankaj Mishra from India, and up-and-coming percussionist Max Link from Germany, the release follows up on ideas sparked during Loren and Mark's first time on stage together at the 2010 SoundQuest Fest in Tucson, Arizona.
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Loren Nerell 2012 Projekt PRO271 (CD) Produced by Steve Roach Reviewed by Relaxed Machinery Loren Nerell creates a masterful release of deep ambient with SLOW DREAM, field recordings from the world of sleep. On his seventh solo release, Nerell's four lengthy tracks are all-encompassing sonic environments forged mainly from extremely processed location recordings made during his trips to Bali. Rich drones and shimmering highlights skirt over the organic textures, processed and layered into subtle, delicate resonant spaces. Glowing, amorphous drifts of sound create the impression of traveling along the supple contours of subterranean passageways. This SLOW DREAM takes ethereal shape as an exotic but compelling atmosphere that hovers between the waking and sleep state. When experienced at a lower volume and left to repeat play over the course of a few hours, the transportive effect of this soundscape is especially powerful and mind-altering.
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Loren Nerell 2003 Soleilmoon (CD) Produced by Steve Roach Loren Nerell's dark and humid soundscape releases date back to his 1996 release LILIN DEWA, as well as the more recent INDONESIAN SOUNDSCAPES. TAKSU takes cues from both of these albums, blending environmental sounds he records during his Indonesian travels, and Balinese instruments together into a glowing, amorphous cloud of spine-tingling sound.
Steve Roach spatial treatments, mastering |
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Loren Nerell 1999 Soleilmoon SOL 82 (CD) Ethno-flavored field recordings. Given his inspired flair for ethnic music and affinity for travel, Loren Nerell is unquestionably the ideal candidate for producing an audio documentation of Indonesian culture. Compiled during a series of visits to Java and Bali between 1992 and 1997, INDONESIAN SOUNDSCAPES is a varied travel guide via intensive location recordings of native ceremonies, natural environments, and other places of interest. The most intriguing pieces tend to be the ceremonial entries such as the predawn sanctity of "Call to Prayer", the aggressive native percussion ensemble in "Galungan Ceremony", and most of all, the primal rage of gamelan monkey chants in "Kecak". Thoroughly effective are the tracks of natural ambience found in the self-explanatory "Frogs", "Morning Insect Sounds", "Evening Sounds", and "Morning Rain". -- Adam Bialek, Outburn Magazine
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Loren Nerell 1999 Amplexus XUS12 (Mini CD) Loren Nerell is known for his fondness for gamelan music. You get the idea of his blending of music elements when you see that his latest CD was recorded over the last few years in Bali, Java, and... Los Angeles. Modern ambient drone music melds with ancient tribal cultures to form something entirely new, sounding ages old. As usual with Amplexus limited edition 3" singles, the packaging is beautiful, featuring a large 3-fold booklet with photography by the label's Stefano Gentile. Being a single, this is 21 minutes of new music. The journey of musical exploration ends far too soon, but it is very, very good while it lasts. The textures are rich, as drones blend with sparse tribal beats and ancient instruments, such as the crystal clear but other-worldly bell tones in "Eclipse". Just reading the credits for the instrumentation used is fascinating, as I couldn't tell you what most of them are. They are fused into a hypnotic mix of soothing sounds, truly transporting you to another place and time. The music is simultaneously dark and yet spiritually uplifting. "Within the Cloud" is appropriately named, as it is light and delicate, though again with a dark quality that keeps this far from new age realms. This track takes surprisingly smooth musical turns, given at least three distinct movements over its less than four-minute run. The disc is clearly intended to be played at one sitting, as it all runs together as a single piece of music. "Ablution" begins with flutes, rain, thunder, and a rooster crowing. The spatial effect is amazing, as the rainfall seems to be coming from deep within the speakers. Then, just when I'm fully drawn in, it's over. More, please. -- Phil Derby, Sequences
rare limited edition 3-inch CD |
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Loren Nerell 1996 Side Effects DFX 26 (CD) Nerell is an American who became spellbound by Bali and Java's gamelan music after a chance encounter with it over 20 years ago. He merges field recordings of said music with his own studio manipulaitons (via synths and samplers), but only skilled ears could tell which is which. Nerell's tools include various Indonesian gongs, rain-stick, dholak and slenthem. LILIN DEWA should strike a resonant chord with Westerners receptive to contemplative musics, even if they don't have a clue about gamelan. The moan-and-groan drone of "Galungan" has ritualistic overtones that induce an uneasy, peaceful feeling, like being isloated in a desert. "Borobudur" is akin to Paul Schütze's cinematic take on Southeastern Asian ambience. Muted chanting and cricketsong add to the song's mesmerizing chill. "Bamboo, Iron, Resin, Bronze" is one of the most gorgeous and euphoric pieces of music since Don Cherry's "Brown Rice" (1975), conjuring the image of a stately glide down an Indoesian river. -- Dave Segal, Alternative Press
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Loren Nerell (with Steve Roach) 1989 Odyle Productions LAN 002 (Cassette)
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Loren Nerell (with Steve Roach) 1986 Loren Nerell LAN 001 (Cassette)
5. with Steve Roach |
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Kenneth Newby 1994 Hearts of Space HS11046 (CD) Kenneth was one third of the HALCYON DAYS release with Steve Roach and Stephen Kent. This was a brilliant ethno-ambient release that made large waves when it was released in the early 90's. As part of the group Trance Mission, Newby brought his experience from living in Indonesia, where he studied the country's music and culture. This release along with the Suspended Memories releases, SOMA and STRATA with Robert Rich, and HALCYON DAYS were defining tribal ambient releases on the Fathom label. ECOLOGY OF SOULS is out-of-print -- we bought the distributor's last few copies -- and it's unknown if it will ever be re-released.
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10th Anniversary 2-CD edition Vidna Obmana, Dreams in Exile 2006 Projekt PRO185 (CD) Projekt re-releases Vidna Obmana's classic THE RIVER OF APPEARANCE with a bonus disc, the entire album performed by Oregon's Dreams in Exile. River was a high point of Obmana's early compositional style, presenting a minimal and serene flow utilizing sparse piano lines which intermingle with drifting keyboard loops and organic rainstick sounds. There is an overall harmonic unity on these 8 pieces, stripping dense walls back to reveal a slowly changing sound configuration. The second disc is not merely bonus tracks, but a complete re-creation of the original on traditional instruments.
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Vidna Obmana, Alio Die 2006 Projekt PRO190 (CD) Reviewed by Phil Derby, AmbiEntrance Vidna Obmana and Italian soundsculptor Alio Die unite their vision and realized this introspective work of sixty minutes. At times droning and abstract, sometimes ritualistic and ethnic. "ECHO PASSAGE clearly lives up to the reputations of Obmana and Musso while offering both ample opportunity to work outside of their ordinary parameters" -- Adam M. Bialek / Outburn (USA)
2006 reissue in Digipak. |
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Vidna Obmana 2004 Relapse Records RR66242 (CD) LEGACY is Vidna Obmana's closing chapter in his critically acclaimed and challenging Dante trilogy. The evolution of these darkly surreal soundscapes and harmonic themes now merging with Vidna Obmana's insistent grooves makes this an especially powerful conclusion to a relentlessly uncompromised series. While the trilogy plays with the duality of choices, parallel to the epic Dante poem -- covering the conflict of opposites, between good and evil, black and white -- equals Vidna Obmana's personal longing for an artistic and creative change in pace, profile and style. LEGACY brings forward a fusion of industrial, ambient, fourth world and even some post-rock elements, performed on electric guitars, overtone flutes and an array of electronic devices. This new album also features Steven Wilson, originator and leader of the group Porcupine Tree, who performs a haunting and thematic electric guitar passage to conclude the trilogy.
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Vidna Obmana 2004 Projekt PRO157 (CD) 2004 celebrates the 20th anniversary of Vidna Obmana. These past 20 years signified Vidna Obmana as one of the most wilful independent exprimental artists around. He recorded more than 35 CD albums, whether solo or in collaboration, of music that explored the abrasive side of electronic composition, the freeform landscapes of the isolationist ambient aesthetic, the structured interactivity of Fourth World soundscapes, international music traditions and post-classical experimentations. Vidna Obmana's ANTHOLOGY 1984 - 2004 release marks this celebration and covers Vidna's oeuvre from 1984 up 'til 2004. For the first ever, this anthology links Vidna Obmana's most succesful ambient period with his most obscure earlier phase. A period in his career that Vidna Obmana refused to recognize until a year ago when he realized that his experimental and noise phase created the foundation for what he has produced so far. Twelve selections which range in style from ambient music in the vein of THE RIVER OF APPEARANCE and his ambient Trilogy to harsh noise electronics from the early 80's. An unique and provocative document confirming Vidna Obmana's essential position in the field of electronic and modern experimental music. This CD, the first in a series of anthologies, also stands for the birth of Vidna Obmana's own label Ikon (this first release is in alliance with Projekt). The circle is complete and a new path lies ahead. Be aware this is challenging, provoking listening, shifting between omninous sound eruptions and the more developed forms of later years.
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Vidna Obmana (with Steve Roach) 2001 Projekt PRO110 (CD) Ambient collectors have searched for the missing link for years: a search for the albums that reflect the transition from vidnaObmana's early minimalist-ambient work to his current tribal-ambient sound. ECHOING DELIGHT, PARALLEL FLAMING and THE SPIRITUAL BONDING – out of print for most of the 90's – are that missing link. This is the SUBTERRANEAN COLLECTIVE.
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Vidna Obmana (with Steve Roach) 2000 Hypnos (CD) This is the second half of Vidna's special "dual" release for the Hypnos label, following THE SURREAL SANCTUARY, again with guest appearances by Jim Cole, Joris De Backer and Steve Roach. Continuing his focus on the avant-garde and atmospheric, Vidna Obmana reveals the solution and reaches the light at the end of the sonic tunnel with this second chapter.
2. with Steve Roach |
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Vidna Obmana (with Steve Roach) 2000 Hypnos (CD)
6. with Steve Roach |
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Vidna Obmana 1999 Projekt (CD) Remastered archival recordings from 1988 – 1991, resequenced by the artist, with an additional 30 minutes of unreleased music from that era added per disc. |
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Vidna Obmana 1998 Projekt (CD) For vidnaObmana, music is like water. It is a singular element with the unique ability to change form, flowing and changing, but never losing the qualities of movement and fluidity. It can be very lively and dramatic, but at the same time it can be very silent and cold.
2. with Steve Roach |
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Vidna Obmana 1996 Projekt (CD) A 70-minute collection of previously unreleased and compilation-only tracks. "An indispensable look back along the path that has led to vidnaObmana's watershed work of recent years. Highly recommended." - Ink19.com
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Vidna Obmana 1996 Projekt PRO65 (CD) "Nothing in Vidna's previous releases will prepare you for the glories, the passion, and the transcendental beauties of this release. This is a crowning achievement; in the heavenly, soaring, shimmering, meditative vein. This is a must-have release for all lovers of space and ambient music." – Bill Schroeder, WEFT / Epiphanies Radio.
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Vidna Obmana 1994 Projekt (CD) 1998/1999 | A beautiful double-CD bringing together Vidna's first two cassettes, along with unreleased material from the same era. Comprising the majority of this Belgian composers work from his post-industrial period, these two hours focus on a dense dark ambient sound, with an un-nerving sub-texture. The packaging and music on this release amazingly capture Vidna Obmana in his dark prime.
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Vidna Obmana (with Steve Roach) 1994 Extreme XCD 027 (CD) Produced by Steve Roach
2, 3, 4, 5, 6, 8. with Steve Roach |
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Vidna Obmana, Sam Rosenthal 1992 Projekt (CD) An ambient instrumental release from black tape for a blue girl's Sam Rosenthal in collaboration with Vidna Obmana.
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Brian Parnham 2011 Floating Point Records FPR1111 (CD) In his most ambitious release to date, and his first solo album of new material since 2007's MANTLE from the steveroach.com label, Sound craftsman Brian Parnham offers an outstanding, intense electro-acoustic-trance/ambient experience in his latest work SEE NONE, HEAR NONE, SPEAK NONE. All the stops are pulled, and he is clearly working at the top of his evolving skills as a fine-tuned artist in sound. The pieces and moods shift like storm cells over a vast auditory range of churning internal mind states. With 15 definitive tracks, this album provides the listener with a dynamic ride of electro-acoustic-tribal ambient with an edge. Thought-provoking titles offer a few angles to ponder upon as well, deeper thoughts to existential bliss and the opposite places inbetween. Find your own way and meaning into this great must-have release.
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Brian Parnham 2010 Floating Point Records (CD) Ambient-electronic artist Brian Parnham has created a series of highly nuanced, beautifully recorded evocative tribal-ambient releases over the years, including MANTLE on our own steveroach.com label. After 10 years, his first official solo release has been re-released in a new way. Originally composed and recorded between December 1999 and April 2000, the original source and pre-master files were revisited, enhanced and remixed. A few brushstrokes were added and a melted down album mix "Forged From Silence" was created in March 2010. The result is a release that feels like it's from the near future, steeped in a heat-altered landscape that effectively pulls you in deeper with each listen. An auspcious release that stands the test of time, and a vital piece of tribal-ambient magic.
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Brian Parnham (with Steve Roach) 2007 steveroach.com SR01 (CD) Produced by Steve Roach Reviewed by Electroambient Space, Morpheus Music, Signal to Noise This outstanding release plays like a surreal subterranean walkabout within the folds of Utah's alluring slot canyons. Steve Roach commissioned long-time friend and accomplished electronic artist Brian Parnham to drop into the deep end of his sound carving skills. The result presents an adroit sound artist coming into full form within this shadowed sonic wonderland drawn from the Earth's inner realms.
3, 4, 8, 9, 10, 11. with Steve Roach; final assembly, production, spatial implants and mastering by Steve Roach |
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Brian Parnham 2005 Floating Point Records (CD) From the expansive atmospherics and rich textures to drones, didgeridoos and ethno-ambient inspired grooves, Brian Parnham creates a deep listening space to immerse the self and remove the awareness from the chaotic lifestyle that has become America.
2, 9, 10. with Steve Roach |
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Resonant Drift 2013 Flow Space Music / FloBob Music (CD) The rising moan of an ominous electronic wind welcomes you to the first of several sound-worlds on Resonant Drift's new release, FULL CIRCLE, but don't worry; it quickly rectifies itself into a lighter and brighter thing, made of rich pads like the rising sun describing some wide open desert-ambient vista. And so it goes on this latest cross-style journey courtesy of Bill Olien and Gary Johnson. FULL CIRCLE moves in and out of quiet ambient places, most tinged with that desert feel, vast and airy and soaring, but also grinds its way through some grittier environments. Resonant Drift have always had an experimental edge that finds its way into the flow, and it's used here to temper the journey.
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Resonant Drift 2011 Flow Space Music / FloBob Music (CD) Produced by Steve Roach Resonant Drift is the Southern California-based duo Bill Olien and Gary Johnson. The tools of today's soundscape-based music -- synthesizers, guitars, percussion, ethnic instruments, field recordings, looping and studio processing -- all find an equal place within their work. Having met at one of Steve's Master Classes in 2008, Bill and Gary went on to collaborate on 2009's The Call, which received enthusiastic reviews and airplay in the Ambient community. Their new release Passages makes great strides forward in the duo's sound. This release has the feel of being made from the moment, while at the same time woven with layers of subtle innerplay and amorphous, shifting spaces. The ten pieces and passages find inspiration in part from the challenges faced when traversing a path to enlightenment. Mastering and sonic enhancements by Steve Roach.
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Resonant Drift 2009 (CD) Produced by Steve Roach Resonant Drift, originality a moniker for Bill Olien's ambient explorations project The Drift took on a new direction when a fortuitous meeting occurred with ambient guitar artist Gary Johnson at a week-long Master Class with Steve Roach in 2008. They became fast friends though their mutual passions for sound explorations, and THE CALL was quickly fordged as the first release from the duo drawing enthuastic reviews and setting the course for future soundscape dreamings.
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Jorge Reyes 1995 NO CD CD-NO 010 (CD) Produced by Steve Roach
re-release of MEXICAN MUSIC: PREHISPANIC MUSIC FOR THE FORGOTTEN SPIRITS |
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Jorge Reyes 1994 Staalplaat STCD 069 (CD) Produced by Steve Roach
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Jorge Reyes (with Steve Roach) 1993 Extreme XCD 021 (CD) We managed to find a very small handful the ultra-rare, out-of-print Extreme label version of this 1993 classic -- still sealed. During this period of the early 90's, a steady stream of influential recordings by Jorge and Steve were created, fusing the ancient and modern spirit of shamanic ceremonial remembering. This release stands together with Suspended Memories, ORIGINS, ARTIFACTS etc. as essential releases which mapped the new landscapes that would soon be called tribal-ambient. Haunting, timeshifting atmospheres, various percussion, clay pots, and pre-Hispaninc flutes abound, along with Jorge's voice and chanting. All of this boils steadily throughout the journey into the "customs" of the new tribes. 1, 4. with Steve Roach: atmospheres, hybrid grooves |
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Jorge Reyes (with Steve Roach) 1993 Grabaciones Lejos Del Paraiso CDGLP052 (CD) 1, 4. with Steve Roach |
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Mark Seelig (with Steve Roach) 2005 (CD) DISCIPLE is Mark Seelig's first solo project after his powerful contributions on MANTRAM and the WACHUMA'S WAVE project. On this beautiful and meditative CD, Mark fully immerses himself into the traditional Indian Raga styles through his flute and voice overtoning, Guest musicians from India join Mark as do Byron Metcalf on percussion and overall production. Steve provides tambora-inspired analog drones and mastering. The music on the album reflects Mark's 23 years of being a disciple, an initiated seeker. Recorded in three countries -- India, Germany, and the U.S. -- DISCIPLE mirrors Mark's long-lasting connection to these lands.
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Dirk Serries 2015 Projekt PRO316 (CD) Serries' second album on Projekt is a suitable follow-up to his warm and welcoming 2014 release, THE ORIGIN REVERSAL. More than a critically-acclaimed re-boot of his classic Vidna Obmana sound, this is ambient music that flows from its discreet origins of sonic purity, washes of harmony, and languid textures. Unfurling with seductive deliberation and orchestrated with just a handful of effects and electric guitar, this album is again fully improvised and recorded in real-time.
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Dirk Serries 2014 Projekt PRO309 (CD) Dirk Serries returns to Projekt with THE ORIGIN REVERSAL, a re-boot of his classic Vidna Obmana sound. This is ambient music that flows from its discreet origins: sonic purity, washes of harmony, and organic textures which slow time to a phase of transcendence.
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Michael Shrieve, David Beal Celestial Harmonies 17060 (CD) For a limited time, we're offering this unique recording which was lost to many. Two of the foremost drummers of rock and new age blended their exceptional talents with the latest technology to create a landmark album. On THE BIG PICTURE, Michael Shrieve and David Beal produce fully orchestrated music using electronic drum pads and digital samplings. Through this system, a drum-pad can sound like a trumpet, violin, voice, or it can create a completely new sound. Though originally composed on computer, all the music on THE BIG PICTURE was played entirely with drumsticks. This album is a refreshing celebration of rhythm and melody. The pieces compose a dazzling menu, ranging from the exotic to the mischievous, all sharing a compelling vibrancy and excitement. THE BIG PICTURE opens a new door for percussionists. It puts the percussionist on a plane with traditional front line soloists and elevates him to orchestral arranger, with infinite combinations of sounds, timbres, rhythms, and instrumentations at his disposal.
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Douglas Spotted Eagle (with Steve Roach) 1996 Windham Hill 01934 11185 (CD)
6, 7, 11. with Steve Roach |
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Takadja (with Steve Roach) 1996 Celestial Harmonies 15025 (CD) Produced by Steve Roach
5. with Steve Roach |
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Omar Faruk Tekbilek (with Steve Roach) 2006 Alif Records/Sony BMG Greece AR00011 (CD)
9. with Steve Roach |
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Omar Faruk Tekbilek (with Steve Roach) 1998 Celestial Harmonies 13176 (CD) Turkish master musician Omar Faruk Tekbilek drawns from Persian mysticism, the sounds of Azerbaijani folksong and classical Arabian belly dancing. He even pays tribute, on the song "Yalel", to the famed Egyptian singer Omm Kulthum. (Tekbilek himself is half Egyptian.) Working with many of the same musicians who have made such distinctive contributions to Tekbilek's earlier albums, he creates a kind of global music, a music that acknowledges Greek, Indian, and of course Turkish music, and attempts to find a common ground between all of these. Perhaps his greatest achievement on CRESCENT MOON is that the album is more than the sum of its parts: it consistently evokes the ecstatic trance of the Sufi dervishes, the biting winds of the desert at night, the rich and exotic scents of an Oriental market, and yet it does so without clearly staying in any one musical tradition.
2, 3, 10. with Steve Roach |
 | Temps Perdu? 2000 Amplexus AX01 (CD) This year-2000 release from the Düsseldorf-based husband and wife team known as Temps Perdu? brings the full gamut of ethno-electro tribal ambient obsessions into play. It's like a flowing ride along a snaking river, where ethnic influenced electronic trance grooves come and go, as do a plethora of synth textures, organic sounds and instruments. Evidence of an earlier trip to the Timeroom, along with the influence of Jorge Reyes and Suspended Memories, is undeniable but this not clone zone music, as they feel it in their own way, and bring an evocative voice to the tribal gathering.
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 | Temps Perdu? (with Steve Roach) 1995 Timebase TIME3 (CD) Produced by Steve Roach Temps Perdu? are a husband and wife team based in Düsseldorf, Germany with a love for creating ethno-electronic moods. TERRA INCOGNITA was recorded in the mid-90's; the sonic reference points of this period were Suspended Memories, Steve Roach's ethno-tribal period, and the work of Jorge Reyes. While more active in the 90's, this still holds its own with a sound that caught the ears of listeners worldwide.
7. with Steve Roach; 7, 9. produced by Steve Roach |
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John Vorus 2006 (CD) Produced by Steve Roach Reviewed by Electroambient Space, Hypnagogue TRANSMUTING CURRENTS is an outstanding debut by ambient-electronic and accomplished didgeridoo artist John Vorus. John has been patiently evolving his sound and ambient sound creation approach since the 90's. Now we get to share in his travels with this debut release. Presented as a continuous blend of electro-acoustic atmospheres, natural sounds, hypnotic beatscapes and didgeridoo rhythms, all boiled down into a delicately simmering aquatic tidepool oozing with audio lifeforms melting from track to track like a balm for mind. The mixing and co-production was performed by Steve Roach in his Arizona based Timeroom studio during an intensive 5-day marathon session in 2005. Framing this sonic statement with a feeling of genuine artistic commitment and vision, the disc is packaged in an elegant custom-made die-cut fiber board CD wallet with slipcase, and printed using a special 6-color process. This is a real beauty to hold and to hear, and a must-have for connoisseurs of deep organic ambient.
1, 6. produced by Steve Roach; all mixes produced and performed by Steve Roach. |